Day of the Moon

The Silence take over America, the Doctor outsmarts them with television, and Amy may or may not be pregnant with a space-time baby.

Short Synopsis

Three months after The Impossible Astronaut, Amy, Rory, River, and Canton are fugitives in 1969 America. The Silence are manipulating humanity from the shadows, but the Doctor turns the tables by sneaking subliminal instructions into the Apollo 11 moon broadcast. Humanity revolts, the Silence retreat, and Amy drops the bombshell of her maybe-baby situation — capped off with a little girl regenerating in an alley.

Extended Storyline

We open with Team TARDIS on the run. Amy, Rory, and River are fugitives, hunted by FBI agents under Nixon’s orders. Canton appears to shoot them all dead — Amy in the desert, Rory in a dam, River off a skyscraper. (Don’t panic. If there’s one thing Doctor Who loves, it’s a fake-out death montage.)

Turns out, they’re all fine. The gang’s staged their deaths to investigate the Silence without government interference. The Doctor’s in Area 51, locked inside a super-secure cell built from dwarf star alloy, grinning like a smug schoolboy who’s just pranked his headmaster. This, apparently, is his idea of a holiday.

The Silence are everywhere. People forget them the instant they look away, which makes chasing them down about as easy as remembering a password you set six months ago. Amy comes up with the tally-mark system again, scrawling reminders on her skin. But the creep factor cranks up to eleven when she wanders into an orphanage full of peeling wallpaper, flickering lights, and Silent graffiti. It’s basically a horror movie inside an episode of Doctor Who.

She finds a locked room with photos of herself holding a baby — wait, what? — and a little girl in a space suit lurking nearby. Then she promptly gets nabbed by the Silence. Honestly, classic Amy.

Meanwhile, River gets her action-movie moment, mowing down a corridor full of Silence with a laser gun like she’s in Doctor Who: The Musical — Directed by Tarantino. Rory, bless him, spends the episode worrying about Amy, because that’s his superpower. Canton proves himself a surprisingly competent sidekick, wielding a tape recorder and dry wit in equal measure.

The Doctor, as usual, has a plan: he hacks the Apollo 11 broadcast. When Neil Armstrong takes his giant leap, every television in the world also broadcasts hidden footage of a Silent snarling: “You should kill us all on sight.” Humanity instantly gains a permanent subliminal instruction — and suddenly, the Silence find themselves being gunned down by their own unwitting cattle. (Somewhere in the galaxy, the Weeping Angels are sulking about being replaced as the scariest monster.)

Amy is rescued, but she’s shaken. She insists she’s pregnant, but then isn’t sure. The TARDIS scanner can’t even decide. Rory overhears her confessing to a Silent that she’s afraid for her baby — and that she doesn’t want to tell him, because he’s too sweet. Rory dies inside a little, which is basically his thing by now.

The final kicker: that mysterious little girl. We see her cornered in an alley, sick and desperate. And then she glows with golden energy and starts regenerating. Yep. A regenerating child. Because apparently Moffat’s idea of a lighthearted cliffhanger is “SURPRISE! BABY TIME LORD.”